I helped make Succession, so I enjoyed this book about TV and greed
As the power in Hollywood has moved from film to the small screen, so has the much-mythologised alpha male auteur.
Once, early in the process of making the pilot for Succession, one of the actors asked me: “Who is the showrunner on this thing?” The answer was that I hoped I was. But I knew why they asked the question. I didn’t entirely feel like the showrunner, nor was I perhaps acting like one yet. But that’s one of the odd things about the term – it is a position without definition or even formal recognition.
It doesn’t say “showrunner” on the credits at the end of a TV show, nor is the position listed on the call sheets of each day’s shoot. As a role it’s a little like being a cult leader: you might not hold an official title, but everyone knows who you are, and you are the figure finally responsible for setting the tone of the endeavour – whether, overall, it will tend to promote human kindness and understanding, or lean more in the direction of taking folks into the jungle as you start to break out the Kool-Aid.
New Statesman
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