The cable arrived at lunchtime on Wednesday, 6 June, 1973. The news from New York was urgent. Instructed to keep an eye out for a possible Jackson Pollock painting for purchase for the new Australian National Gallery collection, Max Hutchinson had delivered.
“Blue Poles available at two million US dollars with painting retained in USA for one year,” the master scout told his old friend James Mollison, the young gun boss of the Australian National Gallery in Canberra. “Painting is magnificent, condition same.”