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Art buyers just can’t get enough of Clarice Beckett

Gabriella Coslovich
Gabriella CoslovichSaleroom writer

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Clarice Beckett will never know just how strongly her decision to persist with art, despite the indifference of critics during her lifetime, has been vindicated. A week after her auction record was smashed at Deutscher and Hackett, a new record was set for her work at Smith & Singer on Tuesday night. A film crew gathering footage for a documentary on Beckett chose the perfect night for it. Beckett’s The Boat Sheds, fresh to the market and consigned by the artist’s only living descendant, sold for $270,000 (hammer), more than triple the low estimate of $80,000. Beckett’s descendant was in the room watching. Six days earlier, Beckett’s painting The Tan, South Yarra, c.1925, doubled its high estimate at Deutscher and Hackett to sell for $240,000 (hammer).

Clarice Beckett’s The Boat Sheds sold for $270,000 hammer on an estimate of $80,000 to $100,000, at Smith & Singer. 

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Gabriella Coslovich is an arts journalist with more than 20 years’ experience, including 15 at The Age, where she was a senior arts writer. Her book, Whiteley on Trial, on Australia’s most audacious of alleged art fraud, won a Walkley in 2018.

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    Original URL: https://www.afr.com/life-and-luxury/arts-and-culture/art-buyers-just-can-t-get-enough-of-clarice-beckett-20211117-p599ov