Double De Niro delivers in what could be his mobster swan song
If The Alto Knights is the last time Robert De Niro plays a mobster, it would be a fitting farewell to a genre he has dominated for decades, writes Leigh Paatsch.
Leigh Paatsch
Blanchett brilliant in superb, snappy spy thriller
Fans of Slow Horses will love Steven Soderbergh’s smart and sophisticated spy thriller with Cate Blanchett and Michael Fassbender, writes Leigh Paatsch.
Bonkers: why Robert Pattinson’s Mickey 17 is a hot mess
After winning an Oscar for Parasite, big things were expected for director Bong Joon Ho’s next movie but his big swing with Robert Pattinson doesn’t quite connect, writes Leigh Paatsch.
Perfect Pamela Anderson best thing about The Last Showgirl
After years of not being taken seriously, Pamela Anderson finds the perfect role as an ageing exotic dancer – it’s a pity the movie isn’t as good as her, writes Leigh Paatsch.
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Why movie is a wicked pleasure for musical fans
From vividly immersive world-building to an instantly investing tale, what Wicked does well, it does very impressively indeed – but it helps if you love movie musicals of all shapes and sizes, writes Leigh Paatsch.
First review: long-awaited sequel Gladiator II just gets away with it
Audiences have been baying for a sequel to Ridley Scott’s Oscar-winning sword and sandals classic for more than two decades – but is it worth the wait?
‘Powerful’: Doco reveals Jelena Dokic’s remarkable resilience
The extraordinary journey of Aussie tennis prodigy Jelena Dokic in suffering under and standing up to her tyrant coach father is as heartbreaking as it is inspiring, writes Leigh Paatsch.
‘Anything goes’: Huge moment in SNL history
Saturday Night reveals the first steps leading to the giant strides of sketch show SNL, while the uneven Venom: Last Dance asks whether we needed a Venom saga at all. writes Leigh Paatsch.
‘Unsettling’: Horror sequel is no party
Smile 2 finds searingly memorable and distinctly shocking ways to improve upon its macabrely malevolent predecessor, writes Leigh Paatsch.
‘Fascinating’: GoT star thrives in kooky comedy
While odd-couple crime comedy Brothers might have benefited from a leaner, meaner approach, it snaps into shape thanks to Josh Brolin and Peter Dinklage, writes Leigh Paatsch.
‘Compelling’: How biopic tackles Trump enigma
No movie could stand a chance of decoding the all-bamboozling enigma that is Donald Trump – but The Apprentice achieves some success, writes Leigh Paatsch.
Why Joker sequel is greatest folly of 2024
Five years since promising there would be no sequel to The Joker, Todd Phillips has delivered one – and it comes as no surprise Joker: Folie a Deux is a folly and worse, writes Leigh Paatsch.
Why feel-good movie is better than name suggests
Look past that ungainly name and see something special in the warm and witty feel-good My Old Ass, writes Leigh Paatsch.
Why The Wild Robot will be a family hit
The engagingly entertaining The Wild Robot is in instant-classic territory, writes Leigh Paatsch.
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