J-Lo can’t save predictable Second Act
Jennifer Lopez gives it her best shot but lazily thrown-together screenplay and sloppy filmmaking means she can’t save a dull Second Act, writes Leigh Paatsch.
Jennifer Lopez gives it her best shot but lazily thrown-together screenplay and sloppy filmmaking means she can’t save a dull Second Act, writes Leigh Paatsch.
Melissa McCarthy has ditched comedy for drama, with her excellent forgery drama Can You Ever Forgive Me? hitting cinemas today. Here are five more flicks to stream where scams are to the fore.
If first impressions were all that mattered, Mortal Engines would have just about every movie of 2018 well and truly beaten. But the Peter Jackson-backed blockbuster fails to fire, writes Leigh Paatsch.
Three period films head up this list of weekend must-streams — and they couldn’t be any more different from each other. From the movie that’s “Scot” the lot to one that’s mighty hard to get over, here’s what you should watch this weekend.
THE race to win the rights to say the three words that have traditionally opened the biggest, brashest trailers in modern movie history makes for big laughs.
TOO many celebrity cameos and too little fresh material leaves Muppets Most Wanted parked on a plateau of pleasant mediocrity.
ONCE again scrounging for inspiration in the canyon of long-forgotten TV, Hollywood has moved some rocks and found Mr Peabody and Sherman.
THE first film was an exhausting, yet electrifying screen experience – but the obligatory sequel The Raid 2 will leave you wanting more.
AS an original and arresting visual spectacle, Russell Crowe’s latest film Noah has plenty working in its favour.
THE Monuments Men is a movie about war, where the war is all but over. It’s also a movie where George Clooney calls all shots on both sides of the camera.
INCISIVE as it is infuriating, The Armstrong Lie chronicles the greatest fraud ever perpetuated in the history of organised sport.
THERE are about 400 more sleeps until the next Fast & Furious sequel. What’s a cinematic petrol-head to do until then?
THE new Australian film Tracks is a pointed example of how a great true story doesn’t always make for truly good cinema.
YES, it might have taken seven years, but the 300 franchise has returned with more hysterically historical butchery for your entertainment.
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