The Oscars then and now: How capturing the Academy Awards has changed
WHERE once the Oscars was just about the dresses and the winners, today viewers are demanding more behind-the-scenes and more reaction.
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WHERE once the Oscars was just about the dresses and the winners, today viewers and readers are demanding more.
They want more behind-the-scenes, more emotion, more reaction and more candid stop-you-in-your-tracks photographs.
Stuart Hannagan, director of photography for Getty Images in Australasia, the official photographers for the Academy Awards since 2003, says the interest and photographic investment in the Oscars is growing every year.
“Consumers are now interested in what happens behind the scenes, new perspectives, who is sitting with who, what is inside the goodie bag, and which celebrities are hanging out backstage together,” Mr Hannagan told news.com.au. “The scrutiny now is greater than ever before and the smallest thing on the night matters. Anything that makes the viewer feel closer to the experience of actually being at the Oscars.”
Hannagan says the most popular images aren’t always what you expect.
“In the past few years the most memorable image was the Ellen ‘selfie’, and that is because it really took the viewer into the experience.”
Readers and viewers now demand to be presented with a more immersive experience that puts the users in the heart of it.
“These type of images, that we call point-of-view, are popular because they provide a raw, immersive and authentic feel leading to greater levels of engagement. In the early days it was all about the glitz and glam — the red carpet etc. Now it’s really about feeling like you were there.”
Where once there was only 2-3 photographers capturing the red carpet and winners with their Oscar statuettes, there is now a small army of people capture everything from red carpet, to front of show to behind the scenes.
The Getty team of photographers, editors and technicians will complete over 1000 man hours on the day.
The team will take over 80,000 photographs in a single day, with up to 80 frames per minute, ensuring every hidden moment on stage and off, is captured.
Mr Hannagan says in the early days Getty would have only sold a few hundred photos from the Oscars, but now they will sell tens of thousands of images.
“People want to see who wore what, who sat with who, who was hanging out with who backstage.” he added. Any detail of the night you can image, we will be there to capture it.”
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Originally published as The Oscars then and now: How capturing the Academy Awards has changed